Tag Archives: Artist’s Moral Right to Correct Attribution

An Opera Singer’s Digestion and an Art Bully’s Tactics

George L. Stout, conservator with Harvard’s Fogg Museum of Art in the 1920s, first articulated the three-legged stool approach to art authentication when connoisseurship alone was the standard. Questioning a connoisseur’s opinion, “was as naughty as inquiring about the digestive … Continue reading

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